YANG GALLERY Singapore & Beijing's Chinese Contemporary Fine Art New Arrivals!

YANG GALLERY features the finest Chinese Contemporary Art in Singapore & Beijing. 

  Here are the latest collectible iconic pieces by the most established Chinese Contemporary artists! For full listing of YANG GALLERY'S representing artists visit here  or YANG GALLERY'S facebook page

or contact us: +65 6721 8888 (Singapore) / +86 10 5762 3020 (Beijing) / spore@yanggallery.com.sg

Artist name: Luo Brothers

Title: Welcome Welcome!- Coca-cola

Artist name: Liu Hong

Title: Lip Language- Sensuality

Artist name: Wu Mingzhong

Title: Give Prayer

Artist name: Liu Liguo

Title: The Superstar at Tian An Men Square

Artist name: Ma Jun

Title: New China Series- Car

Artist name: Chen Zhuo + Huang Keyi

Title: Chinese Carnival no. 6

  Yang Gallery presents: Oil paintings, Sculptures, Watercolors, Photographs, Prints, Installations, Designer Furniture and Artistic Architectures etc..

Artist name: Gong Dong

Title: Birthmark Series

Artist name: Pan Dehai

Title: 1956 - 1976: Teabreak

Artist name: He Wenjue

Title: Watch Movie- In the Mood for Love

Artist name: Li Qing

Title: A Deep Thought

Artist name: Liu Fei

Title: Pointing Girl

  Yang Gallery’s clients: Contemporary Art Museums, Private Art Foundations, Major Organizations, Luxury Groups, Banks to Private Collectors etc from all over the world.

  In the last few years we have successfully exhibited a number of influential exhibitions and various corporations such as: Fang Lijun’s ‘Investing in Chinese Contemporary Art’ Seminar, Cultural Exchange Conferences, Art Performances with Mercedes Benz, as well as many Charity Art Exhibitions & Collaboration Events in Singapore & Beijing.


 We look forward to be of service to you on your art collection very soon!

Liu Liguo: 'Trafficking Imagination' Solo Exhibition at YANG GALLERY Beijing

YANG GALLERY Beijing cordially invites you to one of the most collectible & established Chinese Contemporary artists Liu Liguo's Solo Exhibition 'Trafficking Imagination 贩卖想象' from the 27th April - 18th May 2012.


  Opening Reception: 27th April 2012, Friday, 3:30 - 6:00 pm




Venue: YANG GALLERY Beijing
             3rd Taoci Street, 798 Art District, No. 4 Jiuxianqiao Road,         
             Chaoyang District, Beijing 100015
Tel: +86 10 5762 3020
RSVP: beijing@yanggallery.info / spore@yanggallery.com.sg

 For full listing of exhibited works click here


   Liu Liguo is one of the most established Chinese Contemporary artists in the international Art market. His works have been collected by several Contemporary Art Museums, private Art Foundations and Major Corporations from all over the world.


   Liu Liguo’s works are the representation and reflection of a Chinese form of ego, lost within consumer society & whose principle manifestation is a usual combination of elements particular to modern China- Religion, Folklore, Consumerism & the image of Mao Zedong. Whether it’s a sculpture or a painting, everything is materially opulent, dripping with sensuality and abundance.

  In his works, popular culture and folklore are consciously accentuated, saturated by faith in progress, memories of the revolution and a modern form of quasi-religion; a spirit investment inspired by developments made within society. On a formal level, Liu Liguo has sought out an avant-garde variation on Chinese traditional arts. His vision took shape as early as the mid-nineties in a series of ceramic ‘buttocks’; at first an attempt to express the duality and paradox existing between the vigour of the changes taking place and the cultural vulgarity that resulted from the consumer society that was achieved.

  Liu Liguo has attempted to modify the form of commercial statuary so that it might express the way in which modern culture has found form in China; to make of it an apt material for the manifestation of that modernity- both its
failings and its innovative power- within which, despite everything, criticism and satire are able to maintain their essential meaning. Even more importantly, critical attention is given so that their meaning is allowed to immerge in its integral truth, without neglecting the feelings of identification that we necessarily have out of fear of losing the characteristics of the twentieth century Chinese ‘ego’.